HBO’S ‘Getting On’ Creator, Executive Producer and Writer, Will Scheffer on the Show’s Final Season
You can read that interview HERE
And now we fast forward almost two years later and the show is in its third and final season. In our interview, Scheffer looks back at his experiences with the show and talks about collaborating with his husband, Mark V Olsen – creator, executive producer and writer of “Getting On” and their other shows, including “Big Love.”
In addition to the HBO American cable channel, “Getting On” can be seen on HBO Latin America and HBO Europe and Asia, and through SKY (France, UK, Spain, and so on.)
Kouguell: With the increase of the global cable markets and increasing platforms, reaching a broader audience, how has this affected your shows?
Scheffer: It was gratifying to have read about “Getting On’s” reception in Paris (where they love the show) before the recent attacks and to know that this show speaks particularly to issues of loss and wounding and grief but in a way that enables laughter to mix with heartbreak. This season has so much more resonance to me as it is a comedy. It’s not escapist. It’s healing comedy. You can laugh and cry in the darkest of hours and to me, that’s the greatest service to provide as an artist. To allow people to experience their common humanity. Without self-importance. Experiencing and accepting the fragility of life, of being human, is a wonderful place to begin from.
Kouguell: Looking back at the three seasons of “Getting On,” what were some of the most poignant and/or memorable moments for you working with the actors and writers?
Scheffer: We felt that by choosing “Getting On” to adapt we were entering into “stewarding” function with our British team. We wrote all of the episodes and the first two seasons had a lot of material from the original series to adapt, but the final season was all original story. Still, we went to London and ran our ideas by the original creators and worked with them. That relationship, receiving their input bonded us in a way that was unique to most adaptations. The fact that Vicki Pepperdine and Joanna Scanlan appear in Episode 4 as their original characters and meet their American counterparts, and vice versa— felt so amazing. It’s something we’d never seen before and it speaks to the way the British show and the American show are so different but like siblings, so connected. We share the same blood. So that’s a long-winded way of saying, going to London for a week to work with “the girls’ was a high point.