In the film Two Days, One Night, written and directed by brothers Jean-Pierre and Luc Dardenne, the protagonist, Sandra, has recently returned back to her job after an acute bout with depression only to find out that the factory for which she works can manage with one less employee and she is to be let go. Sandra learns that the employees have been given a choice: receive a bonus if they agree she will be laid off; if not, then no one receives the bonus. Sandra’s fate will be decided on Monday morning, giving Sandra one weekend to convince her fellow coworkers to sacrifice their bonuses in order to keep her job. Sandra finds herself in a race against time – specifically two days and one night — to get her job back.
In the chapter entitled ‘Getting Your Characters’ Acts Together’ in my book Savvy Characters Sell Screenplays! I write:
Every story is essentially a “What if?” mystery. It begins by asking a question that will be answered in the script’s climax. Usually a problem is introduced or a situation that needs to be resolved is presented. The reader must feel a sense of urgency and expectation.
In the film Two Days, One Night, written and directed by brothers Jean-Pierre and Luc Dardenne, the protagonist, Sandra, has recently returned back to her job after an acute bout with depression only to find out that the factory for which she works can manage with one less employee and she is to be let go. Sandra learns that the employees have been given a choice: receive a bonus if they agree she will be laid off; if not, then no one receives the bonus. Sandra’s fate will be decided on Monday morning, giving Sandra one weekend to convince her fellow coworkers to sacrifice their bonuses in order to keep her job. Sandra finds herself in a race against time – specifically two days and one night — to get her job back.
In the chapter entitled ‘Getting Your Characters’ Acts Together’ in my book Savvy Characters Sell Screenplays! I write:
Every story is essentially a “What if?” mystery. It begins by asking a question that will be answered in the script’s climax. Usually a problem is introduced or a situation that needs to be resolved is presented. The reader must feel a sense of urgency and expectation.
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