Su-City Pictures East, LLC

Screenplay & Film Consulting By Susan Kouguell


Susan’s Screenwriters Utopia piece: David Cronenberg, Subplots, and Plot Twists

On a recent trip to Amsterdam to the EYE (national museum of film)  I visited the major exhibition of director David Cronenberg’s work. One section, featuring clips and information about his film, A History of Violence, reminded me of this powerful work that I also referenced in my book, Savvy Characters Sell Screenplays! – specifically in the chapters in which I discuss subplots and plot twists.

TOM STALL In this family, we do not solve problems by hitting people!

JACK STALL No, in this family, we shoot them!

Tom slaps his teenage son, Jack.

In A History of Violence (screenplay by Josh Olson), family man and small town Indiana diner owner, Tom Stall, becomes a local yet reluctant hero after he shoots two thugs, who attempt to rob him.  National news coverage of this event prompts the arrival of Fogarty and his two henchmen from Philadelphia to confront Tom.

Plot twists can be illustrated through character revelations; who they truly are and what they are capable of doing for survival, loyalty, love, and so on, or during the story when an unexpected event occurs. In the case of this film, the plot twist unfolds when it is revealed that Tom Stall is not only Joey Cusack, an ex-killer from Philadelphia—but he has kept his true identity secret for twenty-years from his wife and their two children. Hence the title A History of Violence — the underlying meaning for Tom Stall centers on his own personal history of violence.

There is nothing more satisfying to an audience when they are taken by surprise, but plot twists should be true to your story and not tacked on just for the shock element.

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Fellini in Amsterdam

Fellini in Amsterdam

Entering into the EYE Film Institute’s Fellini exhibition is an engaging step into the past and the world of the Italian film director Federico Fellini (1920-1993).   While the phrase “into the past” might evoke cliché images – there is nothing about this exhibit or Fellini’s visual style and imagination that can be considered cliché – this exhibition is a feast for the eyes.  Moving from room-to-room gives the sense of stepping into one of Fellini’s films. On the walls, breathtaking scenes from various Fellini films appear, including Amacord, City of Women, and La dolce vita.  Also on display are Fellini’s drawings, images from his dreams, as well as never-before-shown photographs and behind-the-scenes photographs by Gideon Bachmann, Deborah Beer and Paul Ronald. Movie posters and magazines from 1960-1985, also on view, offer further insight into Fellini’s films, his actors, and fellow collaborators. The Fellini exhibit presents a fascinating and unique insight into the director’s exploration of existential themes and his use of nonlinear narrative film structures, challenging traditional conventions. Step inside the forty-year career of Federico Fellini at the EYE Film Institute, which runs until September 22, 2013.