Ask the Screenplay Doctor: 2013 Retrospective and Questions
2013 was quite an exciting year of columns, ranging on tips about marketing a screenplay, to the pros and cons of film schools. Thank you for your enthusiastic responses to my columns.
A special thank you to all my 2013 NewEnglandFilm.com inspiring interviewees from across the country, who not only offered invaluable advice, but their honest insights into all aspects of writing, filmmaking and the film industry:
Thelma Adams: Self-described “outspoken” film critic, offered insights into the world of movies past and present, and gave us a glimpse into what critics look for in a film. http://www.newenglandfilm.com/magazine/2013/02/adams
Ann Flournoy: Louise Log Web Series director took us on the adventurous journey of making a web series with tips on her successful crowd-sourcing with Seed&Spark. http://www.newenglandfilm.com/magazine/2013/06/flournoy
Jon Gartenberg: President of Gartenberg Media Enterprises, talked about experimental filmmaking, distribution, and what’s happening to the field in this modern age.
Jeff Greenstein: Emmy-Award sitcom television writer, director and showrunner of such shows as Will & Grace and Friends, shared tips on breaking into writing for television, sitcom trends, and more. (Since our interview, Jeff is now the director of the new CBS sitcom Mom.)
Sydney Levine: President of Sydney’s Buzz pulled back the curtain on the international film industry with sage advice on getting films seen and distributed in the global market.
Stephanie Spray and Pacho Velez: Award-winning Manakamana documentary filmmakers discussed the process of making their unforgettable feature, at our sit-down at the Locarno Film Festival, where they later took the stage as big winners.
Genine Tillotson: Director of Harvard Square Script Writers talked about HSSW and the benefits of joining a writers group.
JD Zeik: Screenwriter and SUNY Purchase Professor who’s worked with James Cameron, Alfonso Cuaron, and 50 Cent, and more. We talked about film school and the film business.
To read more of my January column: