Su-City Pictures East, LLC

Screenplay & Film Consulting By Susan Kouguell

Author: sucity (page 32 of 33)

SUSAN’S ASK THE SCREENPLAY DOCTOR COLUMN “Where to Send Your Script”

NEWENGLANDFILM.COM: ASK THE SCREENPLAY DOCTOR column

From Flickr photographer: http://www.flickr.com/photos/spadgy/313251515/

“Where to Send Your Script”

When you believe you are ready to submit your screenplay for representation or to a production company, put yourself in the executives’ shoes.  Make sure that your screenplay is really ready for submission and that you are not sending it off because you think it’s good enough as is, and someone else will fix it.   Do not be lazy! Your script is your calling card.  If your script has typos, grammatical errors, copy machine marks, missing pages, sloppy mistakes, formatting errors, and so on, be warned — your script will be discarded and there is a very good chance that the company will never want to read anything else that you send them.

Read more:

http://www.newenglandfilm.com/magazine/2010/06/screenplay

Ask the Screenplay Doctor: Agent Calling

SUSAN’S MONTHLY COLUMN AT NEWENGLANDFILM.COM

Flickr Photo by http://www.flickr.com/photos/mistressf/

Getting the call, email, or snail mail letter that an agent has requested to read your work is great news…but don’t lose your common sense.  Keep in mind that just because an agent has expressed interest in your work, you should not jump into a relationship without making sure the agent is a good match for you.

Here is a question I get on a regular basis: Can you provide some guidelines on how a screenwriter can choose the “right” agent to represent his or her script?

Read more:

http://www.newenglandfilm.com/magazine/2010/08/agentcalling

SUPPORT DOC FILMMAKER JOE BERLINGER

I consulted on Joe’s film Brother’s Keeper…his film Crude is a must-see. Read Redford’s article, donate, read more at NY Times, and other film publications about this important issue.

Joe Berlinger vs. Chevron: Why We Must All Defend Independent Filmmaking www.huffingtonpost.com
Documentary filmmakers’ success as storytellers depends on access to those who are willing to talk on camera. If the subjects of hard-hitting films are fearful of the ramifications of telling the truth then the filmmaker has no story.

Ask the Screenplay Doctor: Where to Send Your Script

WHERE TO SEND YOUR SCRIPT

From Flickr photographer: http://www.flickr.com/photos/spadgy/313251515/

When you believe you are ready to submit your screenplay for representation or to a production company, put yourself in the executives’ shoes.  Make sure that your screenplay is really ready for submission and that you are not sending it off because you think it’s good enough as is, and someone else will fix it.   Do not be lazy! Your script is your calling card.  If your script has typos, grammatical errors, copy machine marks, missing pages, sloppy mistakes, formatting errors, and so on, be warned — your script will be discarded and there is a very good chance that the company will never want to read anything else that you send them.

Read More:

http://newenglandfilm.com/magazine/2010/06/screenplay

 

Susan’s client’s new youtube links…

For some entertainment…see Steve Lifshey’s work:

THE MASTERPIECE – part 1
http://www.youtube.com/watch?v=bk6uKdi0ixk

THE MASTERPIECE – part 2
http://www.youtube.com/watch?v=Pu5pg70kdbY&feature=channel

Ask the Screenplay Doctor: On Film Schools and InkTip.com (NewEnglandFilm.Com)

 

 

Is film school worth the plunge?  Is InkTip.com worth the money?  The Screenplay Doctor addresses these two questions in her latest column.

 

Where do you send your script if you are a complete unknown writer? The Screenplay Doctor addresses this question in her latest column. Email screenwriter@newenglandfilm.com to have your question answered in next month’s issue.

When you believe you are ready to submit your screenplay for representation or to a production company, put yourself in the executives’ shoes. Make sure that your screenplay is really ready for submission and that you are not sending it off because you think it’s good enough as is, and someone else will fix it. Do not be lazy! Your script is your calling card. If your script has typos, grammatical errors, copy machine marks, missing pages, sloppy mistakes, formatting errors, and so on, be warned — your script will be discarded and there is a very good chance that the company will never want to read anything else that you send them.

Who can I send my script to?  I am unpublished with no agent. – Adam

I am assuming that when you write “unpublished” that you mean that you have not had any films produced based on your screenplays. If this is the case, then the next step is to write a query letter and to seek representation (agent, manager, or entertainment attorney) for your screenplay. Most production companies do not accept screenplays that are unsolicited — meaning that they do not have representation.

To whom can you send your script? You must research companies that are seeking new writers. Read screenwriting and film publications to learn about companies and talent (actors, directors, producers) looking to discover new writers. Many companies only seek projects that are a specific genre. For example: If you have a horror screenplay and submit the screenplay (assuming that the company does accept unsolicited screenplays), to a company that has only produced comedies or states on their website that they only seek dramas, this is definitely not the company to choose. Target the companies that are the best fit for your project, and carefully read their submission guidelines.

Never send a script to anyone or to any company without it being requested. Your screenplay will be thrown out; this is a sign of an amateur.

Read more:

http://www.newenglandfilm.com/magazine/2010/05/screenplay

 

MY MONTHLY COLUMN AT NEWENGLANDFILM.COM

Check out April’s column at: http://www.newenglandfilm.com/magazine/2010/03/agents

Ask the Screenplay Doctor: Do I Need an Agent and How Do I Find One?

 

It’s important to understand what an agent can and should do for you.  Agents seek writing assignments for their clients and sell their clients’ spec scripts. They submit scripts to production companies, studios and talent, and follow up to make sure that your work is getting read. Agents act on your behalf to set up pitch meetings and interviews with production companies and studios, and negotiate salary and contracts.  In addition, agents work with screenwriters to plan career objectives, and to map out strategies for meeting these objectives.

Read more

http://www.newenglandfilm.com/magazine/2010/03/screenplay

ASK THE SCREENPLAY DOCTOR: HOW TO BREAK INTO HOLLYWOOD

This month’s question: How to Break into Hollywood.

A shot of a screenplay from http://www.flickr.com/photos/alanwoo/2306507278/

http://www.newenglandfilm.com/magazine/2010/02/screenwriter

 

Links to Finding Jobs & Collaborations

From FILMMAKER Magazine’s Summer 2009 Issue:

WHERE TO…
FIND A JOB

  • 4entertainmentjobs.com
  • blog.reel-exchange.com/jobboard
  • digitalmedianet.4jobs.com
  • entertainmentjobs.com
  • filmstaff.com
  • jobhuntweb.viacom.com/jobhunt/main/jobhome.asp
  • mandy.com
  • media-match.com
  • monster.com
  • nyc.gov/html/film/html/home/reeljobs_download.shtml
  • varietymediacareers.com

COLLABORATE WITH OTHERS

  • actorsandcrew.com
  • d-word.com
  • dvxuser.com
  • iamanartist.com
  • massify.com
  • productionhub.com/jobs
  • reduser.net
  • shootingpeople.org
  • triggerstreet.com
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