Su-City Pictures East, LLC

Screenplay & Film Consulting By Susan Kouguell

Category: FILM SCHOOL ADVICE

Susan Interviews Stefano Knuchel Head of Locarno Summer Academy

 

I met with Stefano Knuchel, Head of the Summer Academy, the afternoon before the Academy and Film Festival began. Now in his second    year in this position, Mr. Knuchel is enthusiastic about the students’ talents and the exciting opportunities that await them at the Academy.

Knuchel: “Every continent except for Australia has been represented so far at the Academy. The shape and tradition of the Academy is mixing life with    cinema.” Knuchel continues, “The program gives students a sense to be a well-rounded director. It’s difficult to be yourself and in moviemaking …what does    it mean to be yourself?” Knuchel smiles, “You film who you are.”

An important goal of the Academy is the exchange of ideas and experiences not only with the filmmakers offering master classes, including Agnes Varda,    Roman Polanski and Victor Erice, but also between the students themselves.

Knuchel: “The students’ gain not only knowledge but an exchange with other filmmakers at their level; some of the students from last year are now making    movies together.”

To read more:

http://blogs.indiewire.com/sydneylevine/susan-kouguell-interviews-stefano-knuchel-head-of-locarno-summer-academy-20140807

SHOULD SCREENWRITERS GO TO FILM SCHOOL – Susan’s Ask the Screenplay Doctor December column

SHOULD SCREENWRITERS GO TO FILM SCHOOL?

My interview with Professors Garland Waller (Boston University) and Richard Walter (UCLA)…

Professor Garland Waller of BU & Professor Richard Walter of UCLA

One question I repeatedly hear from aspiring screenwriters and filmmakers (as well as their family members, who contribute financially and emotionally to their loved one’s dreams) is this: Is it worth it to go to film school?  The word “worth” should be interpreted subjectively and not just in dollars and cents — and the word “film” is the umbrella term that, in the context of this question, includes television.

In this month’s column, I ask two very prominent professors to discuss their respective film and television programs: Professor Richard Walter, Chairman of UCLA’s graduate program in screenwriting and Professor Garland Waller, Director of the Television Graduate Program in the College of Communication at Boston University.

To read more:

http://www.newenglandfilm.com/magazine/2012/12/screenplay

 

SUSAN’S ASK THE SCREENPLAY DOCTOR column November 2012 – Barry Brodsky Inteview

Screenwriting Advice from

Award-Winning Screenwriter and Professor Barry Brodsky

Barry Brodsky, writer and director of the Emerson College Screenwriting Certificate Program

In October, I was a guest speaker for Professor Barry Brodsky’s Industry Night at Emerson College, to discuss the business of screenwriting. Professor Brodsky kindly took time out of his busy schedule to be interviewed for this month’s column.

Barry Brodsky teaches screenwriting at Emerson, Boston University and Lesley University, and serves as the Director of the Emerson College Screenwriting Certificate Program.  He is an award-winning playwright and screenwriter; his short screenplay I Miss You (directed by Fethi Bendida) is premiering at the Algerian Film Festival next month.

To read more:

http://www.newenglandfilm.com/magazine/2012/11/brodsky

ASK THE SCREENPLAY DOCTOR: Prague Film School: An International Melting Pot for Filmmakers

My interview with Tariq Hager, co-director of the Prague Film School…

image Prague Film School: An International Melting Pot for Filmmakers

Screenplay Doctor Susan Kouguell spent her summer at the Prague Film School. She interviews Co-Founder and Co-Director Tariq Hager about his school: a haven for passionate filmmakers of all shapes and sizes tucked away in a city that is as beautiful as the program is intense.
Read more:

http://www.newenglandfilm.com/magazine/2012/09/prague

Ask the Screenplay Doctor: On Film Schools and InkTip.com (NewEnglandFilm.Com)

 

 

Is film school worth the plunge?  Is InkTip.com worth the money?  The Screenplay Doctor addresses these two questions in her latest column.

 

Where do you send your script if you are a complete unknown writer? The Screenplay Doctor addresses this question in her latest column. Email screenwriter@newenglandfilm.com to have your question answered in next month’s issue.

When you believe you are ready to submit your screenplay for representation or to a production company, put yourself in the executives’ shoes. Make sure that your screenplay is really ready for submission and that you are not sending it off because you think it’s good enough as is, and someone else will fix it. Do not be lazy! Your script is your calling card. If your script has typos, grammatical errors, copy machine marks, missing pages, sloppy mistakes, formatting errors, and so on, be warned — your script will be discarded and there is a very good chance that the company will never want to read anything else that you send them.

Who can I send my script to?  I am unpublished with no agent. – Adam

I am assuming that when you write “unpublished” that you mean that you have not had any films produced based on your screenplays. If this is the case, then the next step is to write a query letter and to seek representation (agent, manager, or entertainment attorney) for your screenplay. Most production companies do not accept screenplays that are unsolicited — meaning that they do not have representation.

To whom can you send your script? You must research companies that are seeking new writers. Read screenwriting and film publications to learn about companies and talent (actors, directors, producers) looking to discover new writers. Many companies only seek projects that are a specific genre. For example: If you have a horror screenplay and submit the screenplay (assuming that the company does accept unsolicited screenplays), to a company that has only produced comedies or states on their website that they only seek dramas, this is definitely not the company to choose. Target the companies that are the best fit for your project, and carefully read their submission guidelines.

Never send a script to anyone or to any company without it being requested. Your screenplay will be thrown out; this is a sign of an amateur.

Read more:

http://www.newenglandfilm.com/magazine/2010/05/screenplay