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Screenplay & Film Consulting By Susan Kouguell

Category: NEWENGLANDFILM.COM

Susan’s Ask the Screenplay Doctor column Tips on Evaluating Agents and Production Companies

August 8, 2014 / / Comments Off on Susan’s Ask the Screenplay Doctor column Tips on Evaluating Agents and Production Companies

 

Top Tips on Evaluating Agents and Production Companies

Here’s the scene: You receive a call or email — an agent is interested in representing you and then another call and another email — now a production company wants to produce your screenplay. You’ve been working on your script for months, maybe years and finally — jubilation!  You are headed for success.  But wait!  Put the brakes on and take a deep breath.   Don’t jump into a relationship with the first person (or the second or third or fourth…) who expresses interest in your screenplay. It certainly is flattering when someone is interested in your work, not to mention the possibility of actually seeing your screenplay turned into a film and/or the chance to get representation — but be careful. Always trust your gut instincts and don’t be afraid to ask questions!

Top Tips on Evaluating Agents and Production Companies

http://www.newenglandfilm.com/magazine/2014/08/agent

Susan’s July Ask the Screenplay Doctor column: Twenty Questions: Are you *really* ready to submit your screenplay?

July 3, 2014 / / Comments Off on Susan’s July Ask the Screenplay Doctor column: Twenty Questions: Are you *really* ready to submit your screenplay?

Questions, courtesy of https://flic.kr/p/4S8uZe

Whether you are a first-time or professional screenwriter, the thrill of finally completing a screenplay is the same – absolute euphoria! But, let’s be honest for a moment and ask yourself the tough question: Is your screenplay really finished?  Are you ready to submit it to the world because you are so tired of thinking and dreaming about it and believe that it’s “good enough” despite knowing another rewrite (or possibly two or more) is needed?   If your answer is yes, then know that you are not alone.

What should you do next? Take a deep breath. And slowly exhale.  If you are tired, bored, frustrated, or (fill in the adjective) of your screenplay—so will the agent, manager, producer, script competition reader, and all the film industry folks to whom you are submitting your project.

Before you submit your screenplay, get feedback from people who will tell you the truth and nothing but the truth. Giving it to people who might sugarcoat their critiques, such as family members, most likely want to remain on good terms with you, so this is probably not your best choice. Knowing what to ask when receiving feedback will help you stay focused and enable you to gain more objectivity with your screenplay.

20 Questions to Ask When Receiving Feedback

1. Is the genre clear and consistent throughout the script?

2. Does the dialogue ring true for each of my characters or does it feel interchangeable?

3. Is this script a page-turner?

4. Are my characters empathetic?

5. Does my plot make sense?

6. Are my main characters’ journeys clear?

7. What elements made the story engaging? Were there places you lost interest?

8. Do any of the characters need to be further developed?

9. Are there scenes that drag or ramble?

10. Is each scene advancing the plot forward?

To read more:

http://www.newenglandfilm.com/magazine/2014/07/screenwriter-questions

To Pitch or Not to Pitch? Top 10 Pitching Tips from Susan – the Screenplay Doctor

June 4, 2014 / / Comments Off on To Pitch or Not to Pitch? Top 10 Pitching Tips from Susan – the Screenplay Doctor

 

Mouth 15 https://www.flickr.com/photos/twcollins/1344148021

A pitch is exactly what the word implies — it’s a sales pitch.  And since this is the movie business, otherwise referred to as the film industry, it’s all about selling your idea.  The pitch should summarize your script, engage your listeners, emotionally move them — to laugh, to cry — (for all the right reasons), and convince them to spend zillions of dollars to produce your project.

Knowing when and how to pitch can make or break your chances of having your project considered by film industry folks.

Question: Is it wise to pitch treatments without having the full script written?

Answer: Generally, the answer is no.  When you have the opportunity to pitch your project to industry folks and they are intrigued by your idea, they’re not going to want to hear, “Well, glad you liked the pitch. I’ll send you the script when I’m finished.” It’s going to be hard to capture their attention again. It’s challenging enough to get attention from executives at a pitch festival or pitch meeting so I would advise on having the screenplay written. Before you pitch your project, make sure that you copyright it and register it with the Writers Guild of America www.wga.org.

Top Ten Pitching Tips

  1. Depending on what has been requested, a pitch can be as short as a single sentence or as long as a few paragraphs or more.
  2. Your pitch should follow your main character’s journey and major plot points. Highlight your protagonist’s goal and the major obstacles in his or her path, including the antagonist.
  3. The genre must be clear and consistent.
  4. The pitch should be an accurate reflection of your screenplay, including the style, tone, and plot.
  5. A pitch meeting is like an audition. You’re selling yourself in terms of professionalism, not only your story.

To read more: http://www.newenglandfilm.com/magazine/2014/06/pitch

Susan’s Ask the Screenplay Doctor: How to Pitch a TV Series

May 6, 2014 / / Comments Off on Susan’s Ask the Screenplay Doctor: How to Pitch a TV Series

 

Jeff Greenstein with the cast of the new award-winning series Husbands Jeff Greenstein (far left) with the cast of the new award-winning series Husbands.

How can you pitch a new TV series? Screenplay Doctor Susan Kouguell finds an answer to this question of the month with Jeff Greenstein, the Emmy-winning writer and producer of Dream On, Friends, Will & Grace, Parenthood and Desperate Housewives

Question: One of my partners and I have begun creating a pitch for a new television show.  We’ve great faith in the idea, but I’ve never pitched for TV before.  Is there a different approach to presenting our ideas when it is time?  Besides a treatment, should we have a “pilot episode” teleplay at the ready?  Should we also have a synopsis of several episodes?  What do you recommend?

Susan’s Answer: Pitching for television takes skill, a lot of preparation, and some luck. Writers must know the company to whom they are pitching and the types of projects they are seeking.

For television, it is generally recommended to…

Read more:

http://www.newenglandfilm.com/magazine/2014/05/pitch-tv-series

SUSAN’S ASK THE SCREENPLAY DOCTOR COLUMN – SCREENPLAY ETIQUETTE

April 1, 2014 / / Comments Off on SUSAN’S ASK THE SCREENPLAY DOCTOR COLUMN – SCREENPLAY ETIQUETTE

Ask the Screenplay Doctor: Submitting Your Screenplay Etiquette

Pointers for good etiquette for submitting your script.

 

When I began writing this Ask the Screenplay Doctor monthly column about four years ago, the NewEnglandFilm.com editors had noted that this is not a column where writers can post their loglines synopses of projects, or submit queries – or even their screenplays. I know how challenging it is to get your query, synopsis, and scripts read and considered, but you are wasting your effort by sending them to someone who doesn’t want them. If you want to post those, feel free to do that through the Screenplays Available/Wanted page on NewEnglandFilm.com.

Of course, if you need advice about screenwriting, the business of screenwriting, then by all means, email me your question — but leave out the logine, treatment, or script.  So, with this reminder, here is some advice on this topic.

Top Five Pointers for Submitting your Project

  1. Confirm that the company you are querying is indeed accepting unsolicited material. (Unsolicited is defined as work that is not submitted by an agent, manager, or entertainment attorney.)
  2. Follow the company’s submission rules. For example: If a company requests only a one-page synopsis, send them only a one-page synopsis.  Nothing more.
  3. Only submit your logline, synopsis and/or script to companies who have requested it. When you submit work to a company that is not seeking unsolicited material, your work will be rejected. You are wasting your time and you are wasting the time of the person to whom you have submitted your unrequested work.
  4. Research the companies, film executives, and agents to confirm the spelling of their names and their titles. Film industry folks don’t appreciate seeing their names misspelled.  Executives’ titles frequently change — the industry person who is there today may not be there tomorrow.  The Hollywood Creative Directory and IMDBPro are two suggested sources (among others) to find extensive contact information for film executives, production companies and studios.
  5. Never submit a logline, query letter, synopsis, and/or script that has not been proofread. For screenplays, it is critical that you follow industry standard format.

To read more of my column: http://www.newenglandfilm.com/magazine/2014/04/screenplay

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