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Screenplay & Film Consulting By Susan Kouguell

Tag: Writing Characters

Happy Holidays to Your Screenplay’s Characters (SCRIPT MAGAZINE)

Happy Holidays to Your Screenplay’s Characters

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Happy Holidays to Your Screenplay’s Characters by Susan Kouguell | Script Magazine #scriptchat

With the holidays underway, families are gathering to share in good cheer.  Or at least that’s what many families in the movies are attempting to do.  Yes, that’s their ‘goal’ — but what actually ensues when the parties get underway, is often filled with hilarity or drama — and sometimes both.  A variety of films such as Home for the Holidays (directed by Jody Foster), Home Alone (directed by Chris Columbus), Love Actually (directed by Richard Curtis), and It’s a Wonderful Life (directed by Frank Capra) continue to be found on many ‘best of’ lists. While their genres might differ, they share something poignant in common; they’ve touched upon some universal and relatable family issues and relationships.

Making the Most of Capturing the Holiday Family Dynamics in Your Screenplay

The ways in which characters relate to each other and the types of relationships they have, add the necessary layers of depth and conflict in a screenplay. Characters’ specific needs and goals can motivate them to seek help from one character for advice and assistance, or slyly befriend another character to achieve a goal. Relationships can be judgmental or nonjudgmental, one character can hold the other accountable for his or her actions, or assist the other through a challenging time. One character may have a hidden agenda and take advantage of another character, who is led to believe that he or she is being helped to achieve a goal, or characters can form an alliance to achieve a specific goal.

Getting to Know Your Characters Under Pressure

loveactually

Love Actually

Understanding and conveying what makes your characters act and behave the way they do is imperative in a successful screenplay.

I follow my own advice that I offer my consulting clients and students, which is to write character biographies in your character’s voices (in the first person.)  Make it a fun exercise for yourself — once it becomes a chore, you’ll lose interest and it won’t truly help you bring the best out of your characters.

Choose whatever setting you feel will tap into the truths and minds of your characters.  Put your characters on a therapist’s couch, on a tense television talk show set, or even trapped in an in-law’s attic — the sky’s (the locations) the limit.

Here are some interview questions excerpted from my book Savvy Characters Sell Screenplays! Your characters can answer some or all of the suggested questions below and/or you can invent some of your own.

Interviewer’s Questions

  • How do you feel being interviewed?
  • What are your hopes and dreams?
  • Describe the home where you grew up.
  • If you could be anywhere in the world right now where would it be?
  • What are your secrets?
  • Why are you keeping those secrets?
  • Describe your adversary, and explain how this person became your adversary.
  • Who makes you angry?
  • Who makes you happy?
  • Describe your family members.
  • Are you close to your family?
  • Is there one member of your family with whom you are particularly close?
  • Why do you feel close to this family member?
  • Is there one family member you despise and if so, why do you despise him or her?
  • Who are the most important people in your life, and why are they important to you?
When Harry Met Sally

When Harry Met Sally

Let’s close out 2015 with some holiday cheer from Nora Ephron’s When Harry Met Sally. Here, Harry and Sally finally reunite at a New Year’s Eve party, and Harry proclaims:

“And it’s not because I’m lonely, and it’s not because it’s New Year’s Eve.  I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.”

Happy Holidays!

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Top Ten Tips for Creating Winning Characters (SCRIPT MAGAZINE)

Top Ten Tips for Creating Winning Characters

Here is an excerpt from my book Savvy Characters Sell Screenplays!:

A WINNING SCREENPLAY: STORY = PLOT = CHARACTERS

Story generates plot; it informs what the narrative is about. The plot informs how the story unfolds. And it is your riveting characters who must inform and drive your plot forward.

CHARACTERS = PLOT

Who will live? Who will die? How will they survive?

Who will win? Who will lose? How will they win? How will they lose?

Who will succeed? Who will fail? How will they succeed? How will they fail?

Who will find love? How will they find love?

These aforementioned generic movie taglines, emphasize the significant word “who”— your characters.

To create a believable and compelling plot, your characters must be fleshed out and their distinct characterizations (motivations, behavior, attitudes, and so on), must be gripping and plausible in order to drive the plot forward. When you try to get characters to do what the plot determines, then your characters’ actions, behaviors, and motivations will not be realistic, and they will read as false and contrived.

'Forrest Gump'

Top Ten Tips for Creating Characters

1. EMPATHY: Film industry folks demand characters with whom they can empathize. If they don’t care about your characters, they won’t care about your script and in turn, you have increased your chances of screenplay rejection.

2. GOALS: Convey what your characters’ want and how far they will go to achieve their goals.

3. CONFLICT: Regardless of the genre you are working in and whether your characters are having an inner discord or disputes with others, their conflicts must make sense and must be interesting, in order to raise the stakes in your plot.

4. REASON TO EXIST: Each character must serve a purpose in your script and advance the narrative in some way otherwise you must say “good-bye” and cut this character.

5. UNIQUE: Characters must be unique with distinctive and/or surprising personalities. If they are interchangeable with other characters, then it’s time to rewrite your script.

6. MAKE THEM HUMAN: Unless your characters are nonhuman of course – humanize your characters by giving them identifiable appearances and idiosyncrasies.

7. MOTIVATIONS: Characters must have clear and plausible motivations that give insight into who they are and the actions they take.

8. BEHAVIOR: Whether your characters misbehave or are always on good behavior, your need to convey their specific emotional, mental, physical, and/or social behaviors and traits.

9. ATTITUDE: Characters must have specific attitudes towards each other. Show how your characters view themselves, relate to others or don’t fit in.

10. FLAWS: Characters’ flaws, such as insecurities, make them more identifiable and interesting.

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Susan’s ScriptLab article: The 14 Vital Points for Outlining Characters

 

Readers must have a clear understanding of who your characters are and the reasons why they take the actions they do in your screenplay; otherwise your script will be rejected.

Successful characters are multi-dimensional with distinctive physical attributes, emotional traits, appearances, personalities, intelligence, vulnerabilities, emotions, attitudes, idiosyncrasies, a sense of humor or prevailing despair, secrets, and hopes and dreams. Writing solid and memorable characters also means digging deep into their past and present.

There are several ways in which to delve into characters, such as writing character bios in the character’s voice.  (I offer various templates and examples in my book Savvy Characters Sell Screenplays!).  Use whichever exercise works best for you.  The bottom line is that you must know your characters inside and out.

The 14 Vital Points to Address in Your Character Outline

The following points to address for each of your main characters and for your significant supporting characters:

1.     Character Arcs:  How do my characters evolve in the beginning, middle, and end of the script, as they attempt to achieve their goals?

2.     Journeys:  What do my characters learn about themselves and others, and what do my characters gain or lose, as the plot unfolds?

3.     Multi-dimensional:  What are my characters specific emotional, mental, physical, and/or social behaviors and traits? How do my characters see themselves and how do they relate to others?

4.     Empathy: What elements make my characters likeable and unlikable?

5.     Goals: What are my characters main goals and why are these goals important? How do my characters plan to achieve these goals?

To read more:

http://thescriptlab.com/features/screenwriting-101/2773-the-14-vital-points-for-outlining-characters