Su-City Pictures East, LLC

Screenplay & Film Consulting By Susan Kouguell

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Susan’s Script Magazine article…HOW TO SUCCEED IN SCREENWRITING WITHOUT EVEN TRYING

How to Succeed in Screenwriting Without Even Trying

http://www.scriptmag.com/features/how-to-succeed-in-screenwriting-without-even-trying

Now that I’ve caught your attention with a spin on this infamous Broadway musical title — I must make a confession. This title is wishful thinking. How to succeed in the screenwriting world is not all about trying. It’s so much more than that. It’s about doing. And it’s about being brave, tough, having good manners, not being lazy or having a bad attitude. It’s also about perseverance, which is one major key to unlocking the film industry gatekeeper’s door. And the other major key to gain entrance into the industry? Write a great screenplay!

Succeeding in the screenwriting world requires dedication to your writing — and it demands rewriting your script and marketing package until they are the absolute best they can be. You must be diligent; follow the industry trade publications to learn who is taking on new clients, which company is accepting new projects, and then submit your work to the appropriate companies, agents, and managers, and script competitions that are the right fit for your project and for you.

How do you increase your chances of script success?

KNOW YOUR CRAFT: Crafting a successful screenplay means understanding and conveying a compelling story that will prompt the reader to turn the page; a solid structure (this holds true whether you are writing a traditional 3-act structure or nontraditional narrative); a consistent genre (follow the rules of the genre conventions); dialogue that rings true (stilted and dull words does not an attention-grabbing script make); and empathetic characters audiences will care about. Audiences must care if your characters win or lose, and the (narrative) voyages they embark on to reach their goals.

PASSION: Succeeding as a screenwriter requires passion. If the passion you feel about your project does not come shining through in your script, film industry folks will not be impressed, thus increasing your chances of your script getting rejected.

FEEDBACK: It’s important to have an objective set of eyes read your work. Maybe your script is brilliant and is ready to be submitted to companies and executives, but err on the side of the caution. Get feedback on your work from someone who is objective (preferably someone with industry credentials, such as a script consultant, screenwriting mentor, or professor) and will tell you the truth about what’s working, what’s not, and why. Listen to, and implement critiques on your work with careful consideration.

REWRITE: Screenwriting success is about rewriting and rewriting some more even when you’re tired of rewriting but you know in your heart, and you’ve heard the feedback from those in the know, that a rewrite is needed.

PROPER FORMATTING: Always submit a script that 1) contains no typos, no grammatical errors, and no sloppy mistakes like pages missing; and 2) follows the industry standard formatting rules. A script with formatting mistakes demonstrates that you are not respecting the reader’s time and that you are an amateur. There is too much competition to even get your script read by industry folks to make these types of errors.

MARKETING: Writing a great script is just part of the equation on the road to screenwriting success. Knowing how to market yourself and your work is also a vital step on this journey. Present yourself as a professional. If, for example, you have the opportunity to pitch your project, arrive on time and dress appropriately. This meeting is essentially a job interview. Check your arrogance at the door. Being argumentative and disrespectful will be an invitation for the door hitting you on the way out. The film world is small (everyone knows everyone else) and you will quickly gain a reputation, but not the good reputation that you must have to reach success.

One memorable anecdote that I’ve shared in my book The Savvy Screenwriter occurred when I was consulting for Warner Bros., seeking acquisitions and directing talent at the Independent Feature Film Market. The setting: the Angelica Film Center in New York City. Women’s Restroom. A woman asked me if she could pitch her project to me. Right there and then. As much as I empathized with this person’s desperation to get her project noticed by a film studio, you can imagine that this setting was not winning me over. But she kept pitching her project — even when I closed the stall door. It certainly left a lasting impression on me; but not the one she was looking for.
Marketing your work does not equate selling your soul or selling out. Invest the time and care that you did writing your screenplay into preparing your pitch (practice, practice, practice – with timers, with friends and colleagues, and fellow writers), writing your query letter, logline, synopsis and one-sheet.

CLOSING WORDS FOR SCREENPLAY SUCCESS
Your script is your calling card to the film industry. But remember, the film industry is a business. It’s not for the faint of heart. While the road to screenwriting success might come with some bumps and bruises, there are no shortcuts. Always put your best work and your best self out there.

http://www.scriptmag.com/features/how-to-succeed-in-screenwriting-without-even-trying

SUSAN is a featured speaker at Screenwriters World Conference in New York City April 5th

On April 5, I will be speaking at the Screenwriters World Conference in New York City, which is being held at the Sheraton Hotel April 5-7.

For more information about this event visit:

http://www.screenwritersworld.com/ehome/51534/89588/?& 

My two workshops:
Boot Camp: Screenwriter’s Marketing Package

Description

Congratulations! You have completed your screenplay (or are close to finishing it). You’re gearing up for the submission process—but wait! Your screenplay may be brilliant, but you still need to know how to get it past the film industry’s gatekeepers. This means preparing a winning query letter, synopsis and one-sheet. In this crucially important session, you will learn the essentials tools for writing a query letter, synopsis, and one-sheet, how to successfully present your screenwriting marketing package, do’s and don’ts to marketing your screenplay and yourself, and how to follow up with the industry pros after submitting your marketing package.


http://www.screenwritersworld.com/ereg/popups/sessiondetails.php?eventid=51534&sessionid=3135106&sessionchoice=1

Writing Successful Query Letters, Synopses and Loglines

Description
Grabbing a film executive’s attention is the key to unlocking the movie industry’s door. Getting your script read by agents, producers, talent, and so on, requires not only writing a brilliant screenplay, it necessitates knowing how to professionally represent yourself and your work. This workshop will offer the essential tools on crafting winning queries, synopses, and loglines.

 

SUSAN’S ASK THE SCREENPLAY DOCTOR – MARCH COLUMN

Ask the Screenplay Doctor: Top Questions NOT to Ask a Film Industry Professional

http://www.newenglandfilm.com/magazine/2013/03/questions

New Piece with Annebarbe Kau, text by Susan Kouguell


http://passionenstationen.de/index.php/orte/2-stiftsbezirk-vilich
Below is the German to English translation:

Annebarbe Kau their acoustic intervention

headstand

The Lent is – also – a time of longing and hope of spring. Midst of the former abbey district in Bonn-Vilich lies a small cemetery. A stone wall includes the cemetery and gives it its round shape. You follow a path that makes possible a full tour, a rarity. This way is my starting point for a sound collage that visitors can indulge. The path leads him around by the church on the school grounds at the cemetery so that it is covered in its entirety. The interplay of walking, seeing and hearing is the sensual theme of this work. It is set in motion by a collage of text and sounds that can be received via headphones – but the visitors must go to the Wall Trail, since only at selected points something is sent.

sounds from another (year) and time of other landscapes can accommodate you.

I want to see the visitor with the ears.

stooping us and look through our own legs to the world. She stands head, everything is wrong.

text: Susan Kouguell
voice: Elisabeth People
section: Said Suma

http://passionenstationen.de/index.php/orte/2-stiftsbezirk-vilich

MY INTERVIEW WITH FILM CRITIC THELMA ADAMS

Here is my February ASK THE SCREENPLAY DOCTOR column…

http://www.newenglandfilm.com/magazine/2013/02/adams

ASK THE SCREENPLAY DOCTOR January 2013 column

My ASK THE SCREENPLAY DOCTOR column for January

This is PART 2 of my interviews about Film School. This month: J.D. Zeik – fellow SUNY Purchase alum, professor and screenwriter. 

HAPPY NEW YEAR, everyone!

SHOULD SCREENWRITERS GO TO FILM SCHOOL – Susan’s Ask the Screenplay Doctor December column

SHOULD SCREENWRITERS GO TO FILM SCHOOL?

My interview with Professors Garland Waller (Boston University) and Richard Walter (UCLA)…

Professor Garland Waller of BU & Professor Richard Walter of UCLA

One question I repeatedly hear from aspiring screenwriters and filmmakers (as well as their family members, who contribute financially and emotionally to their loved one’s dreams) is this: Is it worth it to go to film school?  The word “worth” should be interpreted subjectively and not just in dollars and cents — and the word “film” is the umbrella term that, in the context of this question, includes television.

In this month’s column, I ask two very prominent professors to discuss their respective film and television programs: Professor Richard Walter, Chairman of UCLA’s graduate program in screenwriting and Professor Garland Waller, Director of the Television Graduate Program in the College of Communication at Boston University.

To read more:

http://www.newenglandfilm.com/magazine/2012/12/screenplay

 

SAVVY CHARACTERS SELL SCREENPLAYS…on Kindle

Yes, readers have asked for the Kindle version so here it is:

http://www.amazon.com/Savvy-Characters-Sell-Screenplays-ebook/dp/B009SB8Z7M/ref=sr_1_2?ie=UTF8&qid=1351806680&sr=8-2&keywords=savvy+characters+sell+screenplays

 

SUSAN’S ASK THE SCREENPLAY DOCTOR column November 2012 – Barry Brodsky Inteview

Screenwriting Advice from

Award-Winning Screenwriter and Professor Barry Brodsky

Barry Brodsky, writer and director of the Emerson College Screenwriting Certificate Program

In October, I was a guest speaker for Professor Barry Brodsky’s Industry Night at Emerson College, to discuss the business of screenwriting. Professor Brodsky kindly took time out of his busy schedule to be interviewed for this month’s column.

Barry Brodsky teaches screenwriting at Emerson, Boston University and Lesley University, and serves as the Director of the Emerson College Screenwriting Certificate Program.  He is an award-winning playwright and screenwriter; his short screenplay I Miss You (directed by Fethi Bendida) is premiering at the Algerian Film Festival next month.

To read more:

http://www.newenglandfilm.com/magazine/2012/11/brodsky

Ask the Screenplay Doctor: Words from the Masters

Nora Ephron, famous screenwriter and director

Since 1990 I have consulted on screenplays through my company Su-City Pictures East, LLC.  Over 1,000 worldwide clients later, I still hear from (if not sometimes commiserate with) writers and filmmakers who are stymied, motivated, stuck, enthused, overwhelmed, underwhelmed, joyous and frustrated about their screenplays. I provide detailed feedback on their scripts and films, as well as encouragement mixed in with a dose of reality about the challenges many face in a film industry that is often fraught with rejection and false promises. For over two decades I have listened to their success stories and disappointments — their insecurities and their hopes to make their dreams come true — that finally, one day, their words will appear on the screen.

Some words of advice I offer to my clients and students that many tell me stayed with them over the years is this:

If you are not passionate about your screenplay, neither will be the film executive reading your screenplay.

Writing a screenplay demands commitment and passion for the material.  Screenwriting is indeed challenging, but receiving feedback on your work, submitting your work to contests, producers, and so on, means baring your soul.  And, over the years I have heard many stories of both triumph and frustration, and sometimes I must remind my clients that I am not their therapist but their Screenplay Doctor!

READ MORE:

http://www.newenglandfilm.com/magazine/2012/10/screenplay

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