Su-City Pictures East, LLC

Screenplay & Film Consulting By Susan Kouguell

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SUSAN’S “ASK THE SCREENPLAY DOCTOR” OCTOBER COLUMN: Working with Independent Directors

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Here is my “Ask the Screenplay Doctor” October NewEnglandFilm.com Column

Working with Independent Directors

If you have written a screenplay for a short film, there are several avenues you can choose to find a potential director.  NewEnglandFilm.com, as well as other screenwriting and film publications, have sections containing information about screenwriters seeking directors and vice versa, and lists of festivals that specialize in short films. When possible, attending these film festivals is a great way to see directors’ work to determine if you share the same sensibilities as the filmmaker.

To read  more:

http://www.newenglandfilm.com/magazine/2010/10/screenplay

 

THE SINGING ROOMS CD

THE SINGING ROOMS CD is here! Choral text by Susan Kouguell/Composer Alvin Singleton, featuring “PraiseMaker” performed by the Atlanta Symphony Orchestra and Chorus www.concordmusicgroup.com

THE SINGING ROOMS CD released on September 21

PraiseMaker (Alvin Singelton, composer/ Susan Kouguell, text) Robert Spano conducts the Atlanta Symphony Orchestra and Chorus.

To order:

http://www.concordmusicgroup.com/albums/TEL-32630-02/

OR:

http://www.amazon.com/gp/product/images/B003YOMN5Y/ref=dp_image_z_0?ie=UTF8&n=5174&s=music

Ask the Screenplay Doctor: Converting Short Stories and Writing in Screenplay Format

Ask the Screenplay Doctor: Converting Short Stories and Writing in Screenplay Format

This month the Screenplay Doctor addresses how writers might convert short stories, as well as the proper format for a script.

http://www.newenglandfilm.com/magazine/2010/09/screenplay

SUSAN’S ASK THE SCREENPLAY DOCTOR COLUMN “Where to Send Your Script”

NEWENGLANDFILM.COM: ASK THE SCREENPLAY DOCTOR column

From Flickr photographer: http://www.flickr.com/photos/spadgy/313251515/

“Where to Send Your Script”

When you believe you are ready to submit your screenplay for representation or to a production company, put yourself in the executives’ shoes.  Make sure that your screenplay is really ready for submission and that you are not sending it off because you think it’s good enough as is, and someone else will fix it.   Do not be lazy! Your script is your calling card.  If your script has typos, grammatical errors, copy machine marks, missing pages, sloppy mistakes, formatting errors, and so on, be warned — your script will be discarded and there is a very good chance that the company will never want to read anything else that you send them.

Read more:

http://www.newenglandfilm.com/magazine/2010/06/screenplay

Ask the Screenplay Doctor: Agent Calling

SUSAN’S MONTHLY COLUMN AT NEWENGLANDFILM.COM

Flickr Photo by http://www.flickr.com/photos/mistressf/

Getting the call, email, or snail mail letter that an agent has requested to read your work is great news…but don’t lose your common sense.  Keep in mind that just because an agent has expressed interest in your work, you should not jump into a relationship without making sure the agent is a good match for you.

Here is a question I get on a regular basis: Can you provide some guidelines on how a screenwriter can choose the “right” agent to represent his or her script?

Read more:

http://www.newenglandfilm.com/magazine/2010/08/agentcalling

SUPPORT DOC FILMMAKER JOE BERLINGER

I consulted on Joe’s film Brother’s Keeper…his film Crude is a must-see. Read Redford’s article, donate, read more at NY Times, and other film publications about this important issue.

Joe Berlinger vs. Chevron: Why We Must All Defend Independent Filmmaking www.huffingtonpost.com
Documentary filmmakers’ success as storytellers depends on access to those who are willing to talk on camera. If the subjects of hard-hitting films are fearful of the ramifications of telling the truth then the filmmaker has no story.

Ask the Screenplay Doctor: Where to Send Your Script

WHERE TO SEND YOUR SCRIPT

From Flickr photographer: http://www.flickr.com/photos/spadgy/313251515/

When you believe you are ready to submit your screenplay for representation or to a production company, put yourself in the executives’ shoes.  Make sure that your screenplay is really ready for submission and that you are not sending it off because you think it’s good enough as is, and someone else will fix it.   Do not be lazy! Your script is your calling card.  If your script has typos, grammatical errors, copy machine marks, missing pages, sloppy mistakes, formatting errors, and so on, be warned — your script will be discarded and there is a very good chance that the company will never want to read anything else that you send them.

Read More:

http://newenglandfilm.com/magazine/2010/06/screenplay

 

Susan’s client’s new youtube links…

For some entertainment…see Steve Lifshey’s work:

THE MASTERPIECE – part 1
http://www.youtube.com/watch?v=bk6uKdi0ixk

THE MASTERPIECE – part 2
http://www.youtube.com/watch?v=Pu5pg70kdbY&feature=channel

Ask the Screenplay Doctor: On Film Schools and InkTip.com (NewEnglandFilm.Com)

 

 

Is film school worth the plunge?  Is InkTip.com worth the money?  The Screenplay Doctor addresses these two questions in her latest column.

 

Where do you send your script if you are a complete unknown writer? The Screenplay Doctor addresses this question in her latest column. Email screenwriter@newenglandfilm.com to have your question answered in next month’s issue.

When you believe you are ready to submit your screenplay for representation or to a production company, put yourself in the executives’ shoes. Make sure that your screenplay is really ready for submission and that you are not sending it off because you think it’s good enough as is, and someone else will fix it. Do not be lazy! Your script is your calling card. If your script has typos, grammatical errors, copy machine marks, missing pages, sloppy mistakes, formatting errors, and so on, be warned — your script will be discarded and there is a very good chance that the company will never want to read anything else that you send them.

Who can I send my script to?  I am unpublished with no agent. – Adam

I am assuming that when you write “unpublished” that you mean that you have not had any films produced based on your screenplays. If this is the case, then the next step is to write a query letter and to seek representation (agent, manager, or entertainment attorney) for your screenplay. Most production companies do not accept screenplays that are unsolicited — meaning that they do not have representation.

To whom can you send your script? You must research companies that are seeking new writers. Read screenwriting and film publications to learn about companies and talent (actors, directors, producers) looking to discover new writers. Many companies only seek projects that are a specific genre. For example: If you have a horror screenplay and submit the screenplay (assuming that the company does accept unsolicited screenplays), to a company that has only produced comedies or states on their website that they only seek dramas, this is definitely not the company to choose. Target the companies that are the best fit for your project, and carefully read their submission guidelines.

Never send a script to anyone or to any company without it being requested. Your screenplay will be thrown out; this is a sign of an amateur.

Read more:

http://www.newenglandfilm.com/magazine/2010/05/screenplay

 

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