Check out April’s column at: http://www.newenglandfilm.com/magazine/2010/03/agents
Check out April’s column at: http://www.newenglandfilm.com/magazine/2010/03/agents
It’s important to understand what an agent can and should do for you. Agents seek writing assignments for their clients and sell their clients’ spec scripts. They submit scripts to production companies, studios and talent, and follow up to make sure that your work is getting read. Agents act on your behalf to set up pitch meetings and interviews with production companies and studios, and negotiate salary and contracts. In addition, agents work with screenwriters to plan career objectives, and to map out strategies for meeting these objectives.
Read more
This month’s question: How to Break into Hollywood.
http://www.newenglandfilm.com/magazine/2010/02/screenwriter
From FILMMAKER Magazine’s Summer 2009 Issue:
WHERE TO…
FIND A JOB
COLLABORATE WITH OTHERS
From Film International:
http://www.filmint.nu/
The Savvy Screenwriter: How to Sell Your Screenplay (and Yourself) Without Selling Out!, Susan Kouguell
New York: St. Martin’s Griffin, 288pp., ISBN-13: 978-0312355753 (pbk), $14.95
For those that are considering or already dabbling in the craft of writing screenplays there are some names that recur with astounding regularity: Syd Field, Lew Hunter, Robert McKee and Dr Linda Seger. Yet even if one cracks the spine of any number of books dedicated to creating a screenplay to actually write a screenplay, then what happens after the celebratory glass of champagne has gone flat? What do you do after you’ve written the screenplay?
You may not have heard of her… yet. Her name is Susan Kouguell. She is not simply an academic that is teaching screenwriting without ever having swum in the murky and mercurial waters of Hollywood. Kougell is an award-winning screenwriter, producer and script consultant who has had stints with Miramax, Paramount Pictures and working with Louis Malle. The Savvy Screenwriter: How to Sell Your Screenplay (and Yourself) without Selling Out is a manual to guide aspiring screenwriters on what they need to know and do after they have typed FADE OUT on their final draft.
Do not be fooled by the slimness of this text. Kouguell demystifies the key components and players involved in the road to getting one’s screenplay noticed and sold in the entertainment industry. The Savvy Screenwriter reveals to readers how movie executives and story analysts approach new material and writers. Unsure of whether your script is really finished? The Savvy Screenwriter provides a checklist. Don’t know how to get an agent? It’s in there. Don’t know how to pitch anything other than a baseball? Not to worry, Kouguell’s book is able to help.
Kouguell’s writing style exhibits candour yet is forthright and this approach is perfect for communicating the practical advice that she has gleaned from navigating through Hollywood. She shares some of her not-so-great moments when she was starting out in the industry and what she learned from them. Quite simply, Kouguell’s text shows the reader how the entertainment industry works and how the screenwriter fits within this ecological system.
The Savvy Screenwriter supports the practical advice by complementing it with detailed explanations and examples of common industry documents and terminology such as coverage, release forms, option agreements and ‘pay or play’. The appendices contain a thorough list of online and offline resources, from organisations to trade publications, to prepare readers before they buy their one-way tickets to Los Angeles.
Whilst it would have been an added bonus to know the screenplays that Kouguell deems essential reading, the exclusion is understandable as her focus is squarely on how to make it in Hollywood as a new screenwriter. The Savvy Screenwriter is a welcome companion to other screenwriting texts.
Contributor details
Deirdre Devers is a researcher of screen cultures, specifically digital games and film. When she’s not watching films, she’s watching gamers at play or writing about people’s interactions with the screen
The Page Awards writes: Here are the top books, classes, seminars, software, and other tools and resources our judges recommend to help you navigate your way through the Hollywood system.
http://pageawards.com/recommended-resources/sell-your-script/
THE SAVVY SCREENWRITER: A real-life guide to surviving in the film business by industry veteran and Tufts University screenwriting teacher Susan Kouguell, this invaluable script sales manual reveals: what the studios are looking for, the dos and don’ts of pitching a script, insights into how scripts are rated, as well as instructions on writing a successful query letter and synopsis, and tips on negotiating contracts, signing development deals, and working with Hollywood agents and entertainment attorneys.
After taking a few weeks off from writing blog entries, I am back with weekly (or more) updates about everything screenplay and film…and more!
Atlhough I was remiss in blogging, I was busy consulting with my Su-City clients…many of whom are getting BIG interest in their projects. I will post success stories as they come in.
On the writing front, I wrote an article for MovieMaker Magazine that will come out this month -check back for the link to the article in the coming days…
I was also invited to write a chapter for Now Write Screenplays! an anthology of exercises and ‘tricks’ by masters and teachers. Other contributors include Stephen Rivele (ALI, Oscar-nominated NIXON), Oscar-nominated Kim Krizan (BEFORE SUNRISE), Danny Rubin (GROUNDHOG DAY), Paul Guay (LIAR, LIAR), David Atkins (NOVOCAINE), Andy Fleming (THE CRAFT), Karey Kirkpatrick (SPIDERWICK CHRONICLES), Blake Snyder (BLANK CHECK), Ed Solomon (MEN IN BLACK), Jim Strain (JUMANJI), Glenn Gers (MAD MONEY) and legendary TV writer Arnie Kane.
And, I recently served as the judge for the New Hampshire Film & Television Office
Screenplay Reading competition. For more info go to: www.nhfilm.gov/film/documents/screenplay-reading
Congratulations to Su-City client on the publication of her book KING OF THE FOREST by Lucinda Marcoux.
Tonight at 11 p.m….
Rebroadcast of PRAISEMAKER. Performed by the Atlanta Symphony Orchestra and Chorus.
(Composer Alvin Singleton, Choral Text Susan Kouguell)
(Show begins at 10 p.m. – it’s #3 on program.)
Go to:
http://www.gpb.org/aso.
Then click on: “Listen Live” and follow link “ASO” – Sarah Zaslow, host.
Ms. Zaslow interviews composers.
Link below for more info on PRAISEMAKER with selection from choral text:
http://www.asochorus.org/member/SingPraise.pdf
Thursday June 9 at 9 p.m. and Sunday at 10 p.m. PRAISEMAKER (composed by Alvin Singleton, choral text Susan Kouguell) and interview go to the live stream:
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